LAbO #5
LAbO #5
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    • Koen Theys
    • Wim Henderickx
    • Stefan Prins
    • Marko Ciciliani
    • Arne Deforce
    • Matthew Wright
    • Serge Verstockt
    • lecture by Fred Frith
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PROJECTS

Call for Projects: Music in the Expanded Field

11/20/2015

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Picture
Music in the Expanded Field – Workshop on Audiovisuality 
Darmstadt Summer Course (29 July to 14 August 2016).
Tutor: Marko Ciciliani
Workshop with selection procedure
For participants of the International Summer Course for New Music 2016
Maximum capacity: 10
Application deadline: 15 December 2015


Marko Ciciliani’s workshop on audiovisuality approaches a central issue in the discussion on intermediality and authorship. The call is aimed at musicians, composers and sound artists who are expanding into visual designs while originating their motivations in musical ideas, thereby searching for genuinely audiovisual art forms. The call is open until 15 December 2015. A preliminary meeting is planned for March 2016 – details on this will follow after the selection process. Please find all other information at:http://www.internationales-musikinstitut.de/en/summer-course/calls.html 
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JAM Workshop LAbO #5 Results - Toolkit

11/16/2015

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Results of workshop
Interesting exchange of ideas
Many good questions
Nice experiments (with some recordings): 
www.jazzperiments.com/mp3/LABO5_01.mp3 
www.jazzperiments.com/mp3/LABO5_02.mp3
www.jazzperiments.com/mp3/LABO5_03.mp3 
www.jazzperiments.com/mp3/LABO5_04.mp3
www.jazzperiments.com/mp3/LABO5_05.mp3
www.jazzperiments.com/mp3/LABO5_06.mp3 
www.jazzperiments.com/mp3/LABO5_07.mp3
Great plans!

Installing the software (see document attached)
The installation procedure is more or less the same for PC or Mac and easy. 
The software doesn't work on smartphones, Android-tablets or iPads.
Download the software: www.jazzperiments.com/jazzperiments_jam_kit.zip
Using JAM
The JAM-application automatically records samples and plays them back 'according to' the input of the user/singer. In the setup for this workshop, the samples are transposed to 3 voices (freely set to soprano, alto, tenor or bass) resulting into 4 voices (including you as a user/singer).
The rhythm is free, because the application not only follows the melody of the input, but also recognizes the tempo which therefor can be chosen and changed by the performer.
If you are planning your 'interaction' ... think of yourself as a small choir.

More information about the JAM application: http://www.jazzperiments.com.
Hearing voices 
Hearing voices is set of 5 small musical themes composed to 'streamline' interaction and improvisation with the JAM-application.

The 'melody' of the first 4 themes is derived from the intonation of most natural languages: a signal, a question, a request and a demand. The fifth theme is a full 'sentence' with an answer, explanation, refusal, excuse etc. The improvisation can be slow and contemplative of fast and chaotic. 'Disturbing' results can be part of the narrative ... 'hearing voices' is also a synonym for 'auditory hallucination', a feature of some psychiatric illnesses.

The whole piece can be repeated, but this isn't required. The performer can add free improvisation.

Some tips:
 You can test the application on a laptop with headphones (to avoid feedback).
 For 'real' use you need a good microphone.
 Click on the load-button and try out some of the stored settings.
 Download the Jazzperiments-Jam-Kit-zip every now and then, because the application is improved on a regular basis. ​
Support
[email protected] or for urgent questions 00 32 475 416885.
If you plan to use the software for future projects, please send an email to [email protected] in which you describe in short your plans. We will keep you informed about updates and other relevant information.

hearing_voices_workshop_20151109.docx
File Size: 96 kb
File Type: docx
Download File

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LAbO #5 @ deSingel, Antwerp - Final Day - streaming

11/16/2015

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Live-stream of the final performances and a look back to the past week of LAbO #5.
ChampdAction - http://www.champdaction.be
In collaboration with deSingel & the Royal Conservatory of Antwerp (AP)
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November 09th, 2015

11/9/2015

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A huge THANK YOU!! to all 56 students/young artists, all the artistic coaches and lecturers, deSingel and Antwerp Conservatory direction, administration, production and technical crew and a special thanks to our colleagues Pauline and Istvan for this wonderful LAbO#5 edition by ChampdAction in deSingel. 
We'll be back with our next LAbO project in deSingel in 2017! For now you can enjoy the films made during the concert yesterday evening. 
See you all soon!
​ChampdAction ​
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LAbO TV#2 - impression of an intense LAbO week

11/7/2015

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LAbO #5 - day 5

11/6/2015

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LAbO #5 - day 4

11/5/2015

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LAbO #5 - day 3

11/5/2015

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Third day in LAbO#5 by ChampdAction in deSingel ended with an extremely inspiring lecture/workshop by avant-garde guitarlegend Fred Frith. He was so enthusiast about the LAbO project as such that he has offered to be one of the main coaches in our next LAbO edition in 2017! 
Tomorrow evening all the LAbO participants and coaches will be attending his concert with the fantastic guitar quartet ZWERM in deSingel. Looking forward to that and good luck for them tonight at Handelsbeurs in Ghent and Saturday in Den Bosch in November Music.
Foto
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Theses on Art and Activism

11/4/2015

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http://www.dewereldmorgen.be/artikel/2015/11/03/de-activistische-verbeelding-interview-met-lieven-de-cauter

Theses on Art and Activism by Lieven De Cauter
1
 There is only one real form of activism and it is political activism. Action is a deed in the public sphere, the space of appearance. Therefore, political activism is the only real form of activism.
Artistic activism is almost never real, for it is not action but ‘acting’, a play in the cultural sphere, the sphere of the mimetic and the performative.
 
2
Art and culture (also the cultic: ritual and play, religion and sports) constitute a sphere outside (besides, in between) the private sphere (economy) and the public sphere (the political). It is the sphere of the common and of otherness: the common uncommon.
 
3
 Imagination is rich, ambiguous, amoral - action is moral, straightforward, poor (in imagination).
Therefore: good committed art is rare and problematic, committed artists are common and necessary (as alert citizens).
The political has an aim; art is aim in itself.   
But. The rare moments the imagination of art and activism truly mate, are to be cherished as the locus of an activist imagination.


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LAbO #5 - day 2

11/3/2015

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